Japanese Noise Project

We've finally emerged after a long break (read: logistical fracas) with a clip from one of the first performances and interviews we conducted. This short one (about 40 seconds) is a lull in a ferocious set by Haino, O'Rourke and Kuge. Enjoy this preview of whats to come! Haino's flailing yet concerted control of feedback is only one of the highlights from this performance's reel.

When we finalize the subtitles to our exclusive Haino interview, part 1 of which was conducted after this performance, we'll get that uploaded here as well. While we didn't really clear posting parts of our footage on youtube with Haino and O'Rourke, and while this may slightly hurt our web visibility, we're happy only posting it here.

Ok, our next post will cover last night's (Sunday Oct. 12) exclusive evening [full performance and interview] at Koenji's UFO Club with the Incapacitants. We cannot wait to show you the raw, captivating power that was their set- it was absolutely one of the most engaging, dramatic and literally hands-on endings to any live performance I have ever seen.

That said (and viewed) its good to be back. This Thursday (Oct. 16) looks like an evening with Hiroshi Hasegawa.

Atsuhiro Ito, originally uploaded by japannoise.

We actually ended up opting to shoot Ito during his rehearsal. It went great. As always, Ito was a candid fellow happy to share his work and welcomed us. We got some great footage and a crisp audio track- a big thanks goes to Sebastian Therre, here snapped in action by our Sebastian. We’ll be adding a voice over to our own edited version a bit later, but in the meantime, The Wire just posted a clip as a web exclusive which we edited for them to accompany our piece in issue #294.




More to come: Yoshida Tatsuya of Ruins Alone (video interview, performance) and Hiroshi Hasegawa of C.C.C.C and Astro, who we are scheduled to film in the coming weeks.

While we have other shows filmed such as Ruins Alone to name but one, we're still editing and piecing together our trailer. In the meantime, cautious of not missing any opportunity, we'll be heading to Earthdom in Shin-Okubo this Saturday (26th) evening to catch a performance from the luminescent Atsuhiro Ito (of Optrum and OFF SEASON). Again, our video will be coming soon.

Hard to refrain from mentioning, but we're really looking forward to announcing more interviews and posting videos.

The first show we decided to cover coincided shortly after the idea of this film's inception. With everything arranged the day of, we were excited to film this first time collaboration between one of Japan's foremost avante-garde guitarists, Haino, and music enthusiast Jim O'Rourke, who recently relocated to Tokyo. What's to be said for Yoshio Kuge is his lengthy and entrenched mainstay as one of Tokyo's finest hardcore drummers; currently active in percussion unit The Flying Rhythms (Here's a Youtube clip from 2007).

But actually, this wasn't the first time O'Rourke and Haino have come together on stage. The last time was October 2007 but since then, and up until the very afternoon of the show, the two had not rehearsed once. That's the word on the street- Haino never rehearses with a collaborator before a performance as a means of safeguarding the intricacies of improvisational dynamic.

To go back a step, the idea for Haino and O'Rourke's collaboration came at a quiet, 5-seater, quaint bar in Shinjuku's Golden Gai district which the two frequented. Since the place only has about 5 seats, we'll refrain from namedropping but we do plan to feature it in the film as one of Tokyo's somewhat key locales where members of the noise community meet. Another thing- the owner of the bar has been quite the matchmaker on the scene double timing as a promoter for shows at Shinjuku Jam and other venues within a stone's throw.

As soon as we get out of the editing room, we'll be posting clips from this ear-inflaming performance as well as a clip from our exclusive post-performance video interview with Haino-san.

My review of this performance is in the current issue of The Wire (#294). Photo by Sebastian Mayer.

That is all for now.